日记的后半段，随着塔可夫斯基步入流亡岁月、病痛缠身，文本中蕴含的情感层次也愈加丰富，欢喜、愤怒、迷茫、思念、绝望交织，这对翻译提出了更高的要求——不仅要保证语言的精准，还要反复琢磨某些表达方式背后的心理动机，让这些细腻而浓烈的情感得以准确传达。日记天然的私密化特征，让翻译成为一场视角与价值观的碰撞，成为一次与塔可夫斯基的深度对话。李芝芳钟爱《伊万的童年》的主演布尔利亚耶夫，也敬仰掌镜塔可夫斯基前两部影片的苏联摄影师尤索夫，可在塔可夫斯基的日记中，这些业内公认的一流电影人，都因创作矛盾而遭到了他毫不留情的指责和挑剔：布尔利亚耶夫因《安德烈·卢布廖夫》的拍摄安排与他决裂，尤索夫也在《镜子》的创作中与他分道扬镳。“这些人在我们心里都是标杆，在他的日记里，就没有一个不骂的。”李芝芳的笑谈道出了翻译时的挣扎。
Unai Emery has seen most things in this game but he has never won at Wolves. In three and a half years at Villa, he has lost two and drawn one of his three games at Molineux. Twelve months ago they lost this fixture 2-0 and this week Emery shared his poor record to stress the difficulty of the challenge facing his side, particularly given they have won just one of their past five matches in all competitions. Emery even mentioned his visit to Wolverhampton with Arsenal in 2019, when his team trailed 3-0 at half-time and lost 3-1. For Emery, there is no better time to break his duck, with the schedule dictating that Villa could move nine points clear of fifth-placed Chelsea, who visit Villa on Wednesday, before Liam Rosenior’s side travel to Arsenal on Sunday. Victory would enhance Villa’s chances of returning to the Champions League but also pile pressure on direct rivals. Ben Fisher
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《甄嬛傳》馬拉松：為何成為台灣年輕人過年的「文化習俗」？