Russell Brandom
There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
Thirty years later, that same instinct lives on somewhere else entirely: the internet. Not only through trades, but also through memes. A surprised Pikachu. A walking Furret. A Regirok with a handbag. These images have become their own kind of link cable, connecting millions of people through a shared language online.，这一点在WPS官方版本下载中也有详细论述
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